- MULTIRACK NATIVE UB MADI PRO
- MULTIRACK NATIVE UB MADI SOFTWARE
- MULTIRACK NATIVE UB MADI PC
- MULTIRACK NATIVE UB MADI PROFESSIONAL
He was using the console's creative compressor before and it sounded great, but swapping it out for H-Comp sounds incredible. I could tell he was doing his snare differently and it sounded incredible. I have a friend that's been running Multirack Soundgrid with his Pro9 lately and just got to hear it for the first time the other week.
MULTIRACK NATIVE UB MADI PROFESSIONAL
I don't have professional musicians, so I find the two stage compression necessary to get a more even level with just crushing things. I also tend to EQ after compression unless there's some specific very dominant frequency that I'm going to cut and it's significant enough to be triggering the compressor too much on its own. I'd really rather have all floating bands so I could have something that acts more like Midas' dynamic EQ though. The C6 really helps me get a loud and out front vocal all the time without worrying about it getting painful. On the C6, I usually mellow out the proximity effect a but with the lower band, use the a floating band in the 2kHz ballpark as formants tend to have harmonics there AND your ear is the very sensitive there, one for the s's wherever they pop up in that musician's voice, and sometimes a high band to help out on the very top end of s's. The CLA2A is my main compression and the C1 is a much higher ratio for when he really gets overzealous.
On vocals, I've been doing CLA2A -> C1 -> H-EQ -> C6. I want to see if my 828mk3 has less noise, but my laptop only has USB and my employer would probably not be pleased with me installing Waves on my work laptop. I'm running native through an Ultralite mk3, though it has more noise than I can deal with so I have to clean it up a bit the the console's expander. I've been using since I moved am now mixing on a much lower end console at church (Presonus :( ).
MULTIRACK NATIVE UB MADI PC
Many consoles have some thought put into reducing bootup times but if you lose power to a normal desktop PC that's many tens of seconds before you restore audio or yank the insert (and thusly be fucked because all those patches are not gonna sound good when they're suddenly removed.) At least laptops have the buffer of the battery. I'd feel fine running something like MultiRack or even ProTools for more than just time-domain FX and inserts on a proper mac (with a spare) and a nice interface to the digital console itself like Dante or firewire.Įdit: I wouldn't do A/D or D/A conversions though. Professional design (cooling + thermal management, rigid metal body, hi res display, great battery) and it seems to just be supported better by some of the vendors for the real heavy lifting stuff: live, low-latency DSP heavy duty rendering etc.
In some cases even when there's a windows option the MBP is favored because it's just.better suited to the task.
MULTIRACK NATIVE UB MADI PRO
Well hold that thought.I've run many a MacBook Pro before. r/broadcastengineering - Broadcast Engineering.r/projection_mapping - Projection Mapping.You might find these other subreddits useful: These rules are implemented at the moderators' discretion. All 'office photos' must be posted in the weekly office pics thread.Use the Wiki and Search Functions Before Asking a Question.Do not use artist/company names in your post.
MULTIRACK NATIVE UB MADI SOFTWARE
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